Some of you have seen this image before. If you have, you probably know that there are two versions. This one is the version that shows up best on a computer screen. The other is more subtle and soft and will look fantastic printed on canvas in a large format.
This photo was taken at about 6am in MA and the water was very cold. I would like to thank Chris Bloom and Lauren Evans for agreeing to get up that early while on vacation, climb into cold water and put up with me asking them to hold various precarious positions while they tried not to look cold. Based on the final product they are both good actors because they were freezing.
I would also like to thank my assistants Taylor and Michael Bloom, as well as my lovely wife Megan, for dealing with me getting very cranky because one of my wireless flash triggers was not working. Oh, and getting up early and that whole bit too.
I had been planning to try and get some sunrise shooting done for several days, but was afraid to ask the folks on vacation with me to get up before the sun came up and indulge my artist obsession. It was completely unfounded fear as it turned out because everyone was on board from the word go.
This version of the image is the HDR version. HDR is the process of capturing scene by taking multiple exposures in order to capture a broad tonal range, and then combining those exposures later, with software. These type of photos can have a surreal quality to them that can make them look fake or like digital renderings. Depending on the situation they can be a very effective tool and I even like to use a normally exposed image in some areas and an HDR for other areas of the same final product. In this case though it is just HDR.
The pose was developed by the circumstances. in other words I had no idea what exactly i was looking for. We tried a bunch different things and finally we worked our way to this. This turned out to be one of those posses that looks completely different on camera than to the eye. In fact it looked like two almost random positions to the eye, but when compressed into two dimensions and onto a CMOS censor the compositions really flows.
The sun is obviously on the right side of the image and the “chi” of this image flows in an arc from the bottom left of the frame to the top right, the sun. Also from the foreground to the background. I added the lens flairs in post because I wanted the flow to be immediately apparent. To me they almost look like some sort of mystical tractor beam pulling the models towards the sun.
As I sit and write about it i have discovered several small things I would like to change. They are minor, but I think that it is these minor changes that may be the difference between looking at this image one time and wanting to see at it often.
Thanks so much for reading.
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